Every year, thousands of filmmakers, screenwriters, producers, actors, and creative dreamers flock to London—not for fame or fortune (though those are nice), but for something rarer: the chance to be truly seen, heard, and understood. Welcome! and be ready to embrace Raindance Film Festival.
Founded in 1993 by Elliot Grove, Raindance has become a global brand for independent film. But this isn’t just another stop on the film festival circuit. For the creatively inclined—whether you’re writing your first short, staging a comeback after corporate burnout, or plotting a low-budget thriller on your phone—Raindance offers something different.
Here are five key reasons why Raindance is unlike any other film festival, and why you should consider embracing it if creativity matters to you.
1. Built by Rebels, for Rebels
Raindance wasn’t started by a studio, a corporate entity, or a cultural institution. It was launched on a shoestring budget by a guy who had never made a film before—but who was sick of waiting for permission.
Founder Elliot Grove grew up in a strict Mennonite community where watching movies was forbidden. In his 30s, after working as a scenic artist and growing frustrated by the lack of support for truly independent filmmakers, he decided to create something different: a platform that celebrated raw, unfiltered voices.
In that spirit, Raindance became a home for rebels. Not in the gimmicky, leather-jacket sense—but for people who challenge conventions, tell stories others won’t, and make films not because they’re easy but because they must.
Example: Christopher Nolan’s debut feature Following (1998) screened at Raindance. It was shot on weekends for just £3,000. Raindance gave it a platform. Nolan went on to direct Memento, Inception, and Oppenheimer. But Raindance was where his journey began.
2. It’s Not Just a Festival—It’s a Movement
Raindance isn’t confined to ten days in Leicester Square. It’s a year-round ecosystem that includes:
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The Raindance Film School, offering evening and weekend courses in directing, producing, screenwriting, and more.
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A postgraduate programme (in partnership with DeMontfort University), allowing mid-career creatives to earn a practical MA or MSc in film.
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The Raindance Membership, giving access to exclusive networking events, screenings, and mentorship.
This means if you’re creatively stuck, or want to turn your ideas into action, Raindance has your back not just during festival season—but every week of the year.
Example: Alex Rivera, a digital marketer who rediscovered their passion for screenwriting after a decade-long corporate career, joined Raindance’s evening classes. Two years later, they’ve written a feature, pitched at a Raindance event, and joined a writing group that formed through the school.
Raindance isn’t about gatekeeping; it’s about opening doors—then handing you the keys.
🎬 Help amplify Raindance. Why not donate through our partner charity – Independent Film Trust?
3. A Champion of the Underdog
Raindance was the first European festival to screen films shot on DV, DSLRs, and smartphones. Where other festivals waited for technology to be validated, Raindance embraced it early.
It celebrates short films, micro-budget features, international indies, and hybrid genre films that bigger festivals might overlook. If you have something unique to say and a compelling way to say it, Raindance will listen—even if you shot it on your iPhone.
Example: Blair Witch Project (2000), shot entirely on a camcorder, notched it’s international premiere at Raindance before it gained wider acclaim. Many of the marketing angles were hatched at Raindance by the European distributor – Pathe. The festival didn’t care that it wasn’t shot on RED or Alexa. It cared that the story was fresh, funny, and real.
Raindance programs stories that challenge the mainstream—not to be provocative, but because innovation often comes from the margins.
4. It’s Unapologetically DIY
While Cannes and Venice roll out the red carpets for international stars, Raindance rolls up its sleeves. It’s a festival with no VIP section—where you can sit next to a BAFTA-winning filmmaker in one session and meet a student premiering their first short in the next.
Raindance empowers creatives to do it themselves—whether that means self-funding, self-producing, or self-distributing. Panels, masterclasses, and networking events are designed not around fluff but around practical, gritty insight.
Example: The documentary Israelism built its success using DIY tactics taught and celebrated at Raindance: limited screenings, FOMO-based marketing, and grassroots buzz. Its creators didn’t wait for Netflix. They built their audience one virtual screening at a time—something Raindance filmmakers know all too well.
If you’re ready to stop making excuses and start making progress, Raindance offers the tools and the tribe.
5. Global Reach, Local Roots
Raindance started in London but now has satellites in Berlin, Brussels, Los Angeles, New York,Toronto, Vancouver and Tokyo. It offers a truly global community—but without ever losing its underground, hands-on ethos.
Raindance doesn’t just screen films; it launches careers. Filmmakers who’ve premiered at Raindance have gone on to win Oscars, BAFTAs,, BIFAS and Sundance Awards—but that’s not why they came. They came because it was one of the few places that said yes when the world said no.
Example: Ghost Stories by Jeremy Dyson and Andy Nyman began its journey as a cult indie that screened at Raindance. It went on to secure global distribution—but its journey started among the passionate audiences who champion under-the-radar horror, sci-fi, and psychological thrillers.
Even if you’re just starting out, Raindance treats your work with the same respect and visibility as more established names.
Final Thoughts: Why You Should Embrace Raindance
Creativity can be lonely. Doubt is a constant companion. The industry is confusing and often brutal. But Raindance doesn’t just offer exposure—it offers belonging.
If you’ve ever:
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Felt like your ideas were too weird or too risky…
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Wondered where all the non-snobby film people hang out…
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Wished someone would just teach you how to actually make a movie…
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Needed a tribe that believes in stories before budgets…
Then Raindance is your place.
It’s not glamorous, it’s not corporate, and it’s not safe. But that’s what makes it matter.
Are you ready to rebel against creative stagnation? Join the movement. Whether you’re submitting your first film, signing up for a class, or just showing up to your first networking event, Raindance is where independent spirits ignite.
🎬 Visit Raindance.org and take your first step today.
Join the dance!
It’s easy to dream about being a filmmaker. But turning that dream into reality requires action. Why not join Raindance? Over a thousand videos, screenplays, and tutorials. Plus, you get discounts on each of our evening and weekend courses.
With Raindance’s training courses, you’ll be guided through every stage of the process – idea, script, production, post-production, and distribution.
I you’ve been waiting for a sign to start your filmmaking journey, this isn it. Enrol in a course, join a community, and watch your dream unfold, frame by frame.
Ready to turn your film dream into reality?
Check out Raindance’s short courses here.
Check out the Raindance Degree Courses Here

Dean Goldberg is a career muti-media professional with a history of Raindance since 2002 when he sponsored the British Independent Film Awards. Since COVID, Dean has parlayed his unique business skills to developing new financing protocols and strategies for independent feature films – and all this since taking courses at Raindance since the naughties. He is currently developing an exciting community based app, TapInto, which is in startup phase.